custom finding
The New Yorker Font
Irvin is The New Yorker's custom editorial face rooted in Rea Irvin's lettering.
The New Yorker's distinctive display lettering is known as Irvin, after the magazine's first art director, Rea Irvin. It functions as a house voice across the nameplate and editorial display work, not as a generic old-style font. This independent summary has no affiliation with Condé Nast or The New Yorker.
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Evidence
How the identification holds up
The magazine identifies Irvin directly
Confidence: high. In The New Yorker's own account of its 2013 design refresh, creative director Wyatt Mitchell names Irvin and traces it to lettering drawn by Rea Irvin for the magazine's early issues. The team studied the archive and had the face redrawn, restoring ligatures and the playful interaction between letters.
Sources: newyorker.com
A house face rather than a lookalike download
The verified relationship is 'custom editorial typeface derived from Rea Irvin's lettering.' The magazine does not present this source as a general public font license. Families that imitate the crooked forms are only substitutes, and recreating the nameplate also raises separate trademark and editorial-identity concerns.
Sources: newyorker.com